Showing posts with label Photography. Show all posts
Showing posts with label Photography. Show all posts
Tuesday, 15 July 2014
Thursday, 2 January 2014
2.2.14
9.52 am
Headed to Broomfield park.
Initially with the intention to jog.
The day is beautiful.
It has been a habit on mine to visit the park on new year's day.(3 possibilities)
Yesterday was a torrential day, so I didn't dare to venture out.
I paid my visit today.
Jogging, soon seemed the wrong thing to do.
When you are jogging you are not looking.
And there was so much to look at.
There was green to look at, hope.
I decided not to jog but to look at hope.
9.52 am
Headed to Broomfield park.
Initially with the intention to jog.
The day is beautiful.
It has been a habit on mine to visit the park on new year's day.(3 possibilities)
Yesterday was a torrential day, so I didn't dare to venture out.
I paid my visit today.
Jogging, soon seemed the wrong thing to do.
When you are jogging you are not looking.
And there was so much to look at.
There was green to look at, hope.
I decided not to jog but to look at hope.
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| Long shadows, giant companions |
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| Sailing hope, green wings |
Wednesday, 31 July 2013
Saturday, 15 June 2013
Saturday, 16 February 2013
Artist Book- Image Play in Light
Image Play in Light... is inkjet printed on 90 gsm short grain 100% recycled book-paper, in a limited edition of 12 copies, hard-cover sewn binding.
96 pages, A5 (148.5 x 210 mm)
(c) Wotadot (Ivan Richards, Ana Vicente)
London, October 2012
Tuesday, 9 October 2012
Monday, 13 February 2012
Thursday, 12 January 2012
PHOTOGRAPHY- 3 of possibilities
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On 1/1/12 I went for my usual walk in Broomfield Park.
I noticed 3 possibilities.
On 8/1/12 I returned to photograph them.
I revisited the tree that is dancing,
I walked around the orange pillar: strong, steady and robust.
I met the tree that is flourishing.
Saturday, 29 January 2011
SHOWS- Angelhead Hipsters, the photographs of Allen Ginsberg
At the National Theatre in London.
" The poignancy of a photograph comes from looking back to a fleeting moment in a floating world."- Allen Ginsberg 1990
" The poignancy of a photograph comes from looking back to a fleeting moment in a floating world."- Allen Ginsberg 1990
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| L-R: Lucien Carr, Jack Kerouac, Allen Ginsberg and William Burroughs |
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| William Burroughs |
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| Allen Ginsberg and Gregory Corso |
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| Patti Smith and William Burroughs |
Thursday, 9 September 2010
PHOTOGRAPHY- Diamonds
"Sayag Your photographs are all full frame. Do you ever crop your images?
Rauschenberg I don't crop. Photography is like diamond cutting. If you miss you miss. There's no difference with painting. If you don't cut you have to accept the whole image. You wait until life is in the frame, then you have full permission to click. I like the adventure of waiting until the whole frame is full.
Sayag You don't miss very often, from looking at the contact sheets.
Rauschenberg It's because I wait; I wait until it's there again. Whatever is there is a truth, but a truth you have to believe in. What you see in front of you is a fact. You click when you believe it's the truth. The information is waiting to become in essence a concentration, concentrated so clearly that it can be projected back into real life, into your recognition. It could be any size."
- Robert Rauschenberg and Alain Sayag, extract from interview, in Robert Rauschenberg: Photographs (New York: Pantheon Books, 1981- Reprinted in Chance, Documents of Contemporary Art, Whitechapel Gallery, 2010
This interview was on my mind when I shot this photographs today.
Location between Liverpool street and Old Street, London
Camera: Canon EOS 1000D
Photographs where not digitally manipulated.
Rauschenberg I don't crop. Photography is like diamond cutting. If you miss you miss. There's no difference with painting. If you don't cut you have to accept the whole image. You wait until life is in the frame, then you have full permission to click. I like the adventure of waiting until the whole frame is full.
Sayag You don't miss very often, from looking at the contact sheets.
Rauschenberg It's because I wait; I wait until it's there again. Whatever is there is a truth, but a truth you have to believe in. What you see in front of you is a fact. You click when you believe it's the truth. The information is waiting to become in essence a concentration, concentrated so clearly that it can be projected back into real life, into your recognition. It could be any size."
- Robert Rauschenberg and Alain Sayag, extract from interview, in Robert Rauschenberg: Photographs (New York: Pantheon Books, 1981- Reprinted in Chance, Documents of Contemporary Art, Whitechapel Gallery, 2010
This interview was on my mind when I shot this photographs today.
Location between Liverpool street and Old Street, London
Camera: Canon EOS 1000D
Photographs where not digitally manipulated.
Thursday, 5 August 2010
Work In Progress - TREE DANCE
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| Copyright (c) Ana Vicente 2010 |
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| Copyright (c) Ana Vicente 2010 |
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| Copyright (c) Ana Vicente 2010 |
The Tree Dance
Found a dead tree dancing
Captured the stillness,
Yet moving,
Time not passing by anymore,
But contained
Get closer, closer
And then closer
Layering.
Captured the stillness,
Yet moving?
Broomfield Park, London N13
Broomfield Park, London N13
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