states of utter silence: drawing

Showing posts with label drawing. Show all posts

Sunday, 16 August 2015

Art Book Fair coming up...

http://cargocollective.com/wotadot

http://www.karst-projects.org

http://counterplymouth.com/index.html

@counterplymouth

@anavicente

@richards_ivan

Tuesday, 23 April 2013

Artist books- Untitled_Pile, 2011 and Pile,after Cage and Rauschenberg, 2012

"...airports for shadows and dust. Mirrors of the air.- Cage talking about Bob Rauschenberg white paintings.

Ana Vicente, Unitiled_ Pile, 2011, mixed media (15 sets of text printed onto tracing paper stapled to plastic sleeves with various objects stuck to it), aprox. 30 x 30 cm

detail 01

detail 02

Ana Vicente, Pile, after Cage and Rauschenberg, 2012, artist book, 16 pages, Limited edition of 5 copies, signed, 42 x 29.7 cm

Page by page views below.

Tuesday, 12 February 2013

Untitled

Ana Vicente, Untitled 01 13 (incl. detail views), 2013, handbound book of found paper (29 x 37 x 4 cm), Pencil and perforations drawing on found paper (49.5 x 68 cm) and collage (27.5 x 42.5 cm)

Ana Vicente, Untitled 02 13 (incl. detail views), 2013, Tape on paper, ink on paper, photocopies, paperbag and black foldback clip (variable dimensions)

Monday, 13 February 2012

PHOTOGRAPHY- area restrita at night

Work In Progress - GS continued

Monday, 23 January 2012

Sunday, 15 January 2012

Table Series- etchings (Summer 2011)

1 of 6

Table Series- etchings (Summer 2011)

Monday, 18 July 2011

PHOTOGRAPHY - Staedtler Noris 120 - 3 - H

Friday, 15 July 2011

My Artwork- TABLE series

New work: The TABLE series (2010- present)

My work encapsulates a process which starts from using/ appropriating what is available to me at the time. Part of the process is sitting down at my table. In this most recent TABLE series, what’s on my table determines the direction of the work I am going to make. Each piece is not planned in advance nor it is perfected. However once started it can lead to other pieces. Created in a particular moment in time, that can be an hour, an afternoon or over a period of a week or weeks, encapsulates the moment when it is created, chancing a result that can be a success or a failure. And by doing so interrogates its artistic value.