Showing posts with label Process. Show all posts
Showing posts with label Process. Show all posts

Monday, 17 August 2015

Self interview

I am currently working on a small publication to be published by wotadot before the end of this year. This book/ publication will contain a compilation of short pieces of writing that I have done throughout the years, in notebooks and sketchbooks, alongside my visual work. I have recently noticed that I am writing more and I am curious about this process and where it can go with my visual and performative work.


(The vague) Self Interview

  
How are you feeling right now?

I’m quite anxious. I’ve been biting my nails a lot. Yeah, I’ve been anxious a lot, actually.

Are you ready to start?

I’m not sure I am ready. Maybe we shouldn’t start yet. I think I need to calm down. I will not know what to say….I haven’t prepared.

So, should we wait for bit?

Uuumm, maybe. Let me just move around a bit…see how I feel afterwards. Are you in a hurry?

Not really, I mean, we can wait …are you sure you are alright?

Yeah, I’ll be fine. I just need to move around for a bit. [Breathes in through the nose and out through the mouth noisily]
[Pacing around nervously] You know, the other day I went to an event and one of the hosts started by talking about delaying starting. Delaying starting something puts you in a position where there are more possibilities. Once you’ve started, the possibilities are substantially less.

            Why did you bring that up? Does that interest you?

It does. Has been on my mind ever since: delay the start. Maybe because I tend to procrastinate a lot and this idea fit in well with that (?) Well, …not really. Seriously [Still moving], maybe because I am interested in things that are not final, finished, polished. In my work, that is. The emphasis is in the process and not in a finished outcome. Once I consciously start, I loose interest.

            How do you resolve your work/ a project?

[Stops slightly out of breath] That is a good question.
[Long pause]
When I am working, finishing what I am doing doesn’t get thought about too much, as in a conscious way. Everything just tends to unravel and happen and it is considered finished when the particular process I am following at the time comes to an end; often a task, or a procedure or a sequence of events / tasks. But I would like to think that I never really started, therefore never finish.

            What sort of work are you talking about?

I am referring to visual work, drawing and photography. That’s interesting: I momentarily forgot about the bookwork. A book is a finished thing, right? So what I said before doesn’t make entire sense. I need to keep moving for longer [breathes in and out, noisily and fast, again]. I’m not making any sense.

            Where do you get your ideas from? What makes you do the work that you do?

[Stops, standing still] Its difficult- perhaps interestingly so- to define a clear source for ideas. I think ideas tend to be more impulses and tend to come from actions. They tend to be intuitive and responding to something material, some quality/ connection that is visible to me in that particular moment in time. It seems that there is an inner intelligence that I can’t rationalise which recognises all these little connections. Maybe I don’t work with ideas….that may explain why I can’t work to briefs/ commissions.

Now- movement and performance are whole new territories for me. I am still figuring out a process that is mine. [Sits down]

            Are you ok?

Yes, I’m much better now.


            Ok, should we start?


Ana Vicente
16th May 2015

Tuesday, 28 April 2015



EVERYTHING IS HERE
IN PLACE
FOR
SOMETHING TO HAPPEN
BUT                   NOTHING
        HAPPENS
YET
DOES SOMETHING
HAPPEN WHEN
NOTHING
HAPPENS?




Tuesday, 12 February 2013

Untitled

Ana Vicente, Untitled 01 13 (incl. detail views), 2013, handbound book of found paper (29 x 37 x 4 cm), Pencil and perforations drawing on found paper (49.5 x 68 cm) and collage (27.5 x 42.5 cm)

Ana Vicente, Untitled 02 13 (incl. detail views), 2013, Tape on paper, ink on paper, photocopies, paperbag and black foldback clip (variable dimensions)

Tuesday, 20 March 2012

INFLUENCES 002

Image from http://info.ctrlaltdel.org/
Mel Bochner
Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed As Art, 1966
www.melbochner.net





Image from Adler, Dan, Hanne Darboven: Cultural History 1880-1983, One Work series, Afterall Books, 2009 (image 2, p. 56-57) 


Hanne Darboven
Cultural History 1880-1983
Installation view at Dia: Beacon, New York


Ana Vicente (c) 2012

Friday, 15 July 2011

My Artwork- TABLE series

New work: The TABLE series (2010- present)

My work encapsulates a process which starts from using/ appropriating what is available to me at the time. Part of the process is sitting down at my table. In this most recent TABLE series, what’s on my table determines the direction of the work I am going to make. Each piece is not planned in advance nor it is perfected. However once started it can lead to other pieces. Created in a particular moment in time, that can be an hour, an afternoon or over a period of a week or weeks, encapsulates the moment when it is created, chancing a result that can be a success or a failure. And by doing so interrogates its artistic value. 



TABLE 9
TABLE 18-23
TABLE 24-35

Friday, 22 April 2011

QUOTE - Eva Hesse

Untitled statement (1968)  
in Eva Hesse (New York: Fischbach Gallery, 1968)
"I would like the work to be non-work. This means that it would find its way beyond my preconceptions. (...)"
Untitled statement (1969) 
in Art in Process IV (Finch College, 1969)
"(...) I remember I wanted to get to non art, non connotive, non anthropomorphic, non geometric, non, nothing, everything, but of another kind, vision, sort. from a total reference point. is it possible? I have learned anything is possible. I know that."